Randall Maggs (image: mun.ca)

Good news for Randall Maggs. His Night Work: The Sawchuk poems, about Terry Sawchuk the great NHL goalie, has just won the $25,000 Kobzar Literary Award. The website of the Shevchenko Foundation describes the vision of the award:

The vision of the Shevchenko Foundation for the Kobzar Literary Award is to foster cultural development in Canada through the Literary Arts and create opportunities for all Canadian writers to explore Ukrainian Canadian themes that are relevant to Canadians.

Presented biennially, the $25,000 prize ($20,000 to the author; $5,000 to the publisher) recognizes a Canadian writer who best presents a Ukrainian Canadian theme with literary merit through poetry, drama, fiction, non-fiction, or young people’s literature.

This is an incredible accomplishment for Maggs and one that helps show Night Work is about more than hockey. I’ve been reading it myself lately and, though I’m not the hockey fan I used to be, I’ve enjoyed it very much. It’s less about the sport, in my opinion, and more about the man, who Sawchuk was, how people viewed him, and how he viewed himself.

I’m lucky to be attending a small reading/presentation Maggs is giving next week here in Gander. I’ve seen him read a couple of times, but this should be an excellent evening.

Never More There (Nightwood Editions, 2009)

March and April are gearing up to be a busy period for yours truly. I’ve got some writing projects that need to be done, both personal and professional, as well as some committee work. Some upcoming readings during this period:

The March Hare – “Eric’s Time”
Albatross Hotel, Gander
Thursday 11 March, 7:30 pm

Whiteway March Hare
Memorial Centre, Whiteway, Trinity Bay
Saturday 27 March, 2:00 pm

Reading at The Barroom
Corner Brook
Thrusday 1 April, 8:00 pm

In addition to this, I’ll be playing at the Gander Curling Club, Saturday 13 March, for Paddy’s Day celebations. If you like Irish/Newfoundland folk music then come on out and enjoy yourself (I certainly will be).

Shortlists have been announced for some Atlantic Canadian book awards. You can see the complete lists here and here. It’s good to see Newfoundland authors get a nod in a couple of these. No surprise to see Crummey and Moore on the Winterset Award’s shortlist. Congrats to Mike Heffernan for having Rig shortlisted for the Democracy 250 Atlantic Book Award for Historical Writing. Also Trudy Morgan-Cole’s By The Rivers of Brooklyn is shortlisted for the APMA Best Atlantic Published Book Award.

Here’s the list for the Atlantic Poetry Prize:

  • Anne Compton, Asking Questions Indoors and Out (Fitzhenry & Whiteside)
  • Tonja Gunvaldsen Klaassen, Lean-To (Gaspereau Press)
  • Zachariah Wells, Track & Trace (Biblioasis)

Anne Compton has seen this list before. I’m not familiar with Klaassen’s work, however. Congrats to Wells also. I’ll be picking up a couple of these titles for sure.

It seems an author who wrote a book about the bombing of Hiroshima in WW2 has gotten himself in a bit of trouble. As a work of non-fiction, there are certain doubts as to facts presented in The Last Train from Hiroshima (namely the questionable existence of two men that appear in the book).

It’s one thing to have a source falsely attest to being present during certain events that occurred in the past; it’s quite another when the authenticity of the author of the book, Charles Pellegrino, is brought into question. Apparently, he claims to have received a Ph.D from Victoria University of Wellington (New Zealand), but the institution itself claims there is no proof of this.

This is the sort of controversy that reflects poorly, not only on Pellegrino, but other non-fiction writers as well. If something as straight forward as whether or not a university education has been attained is questionable, then one may begin to assume the contents of the book are likewise uncertain. This of course depends very much on whether Pellegrino intended to falsify his writing and, which seems more suspicious, concoct a fictional background for himself as an intellectual. In recent years this sort of thing has come into the spotlight (remember James Frey?) and many readers have taken offense to it. I would argue they are in the right: if an author or publisher is pitching a book as a work of non-fiction then the reader should be able to rely on the work being as advertised. No one enjoys being lied to.

Though it is outside my own writing interests, I hope this sort of occurence does not harm the non-fiction genre as a whole. We are living in a time when people are more critical of what they read or at least of the varied sources of information presented. Readers are the ones purchasing and giving their time and interest to a book, and authors should have some level of respect for them.

Great books have many secrets, both good and bad, that come out only in the reading. This is the nature of the book: in order to understand it, see the treasure or dross within, and develop a true relationship with what’s contained between the covers, you have to read the whole thing. In my own experience, a great book is something that stays with you. It will end up on one of those ship-wrecked-on-an-island lists we see from time to time. It will be kept in a readily accessible place, even if that means it’s not shelved properly in your home library. It demands we come back to it, whether it be for guidance, entertainment, or to remind us what’s possible in times when we’re not feeling up to scratch.

The question that comes to mind when thinking of these books is predictable: Can a book change your life? I think anything resembling an answer to this question will likely have a number of layers. What do we mean by ”change your life”? What kind of book are we talking about? Fiction? Non-fiction? Poetry? A personal account is the only way a question like this can be answered, since we don’t all share the same life and have not read the same books (not to mention the fact that it’s a very personal thing to describe one’s relationship to books).

When I was a small child just learning to read, my mother would, due to a complete dearth of local bookstores in rural Newfoundland, create her own books for me. Sometimes these books were filled with pictures she had drawn and coloured of airplanes, boats, robins, or trout captioned by that object’s name, or sometimes they were short stories illustrated to help with my learning. She even kept notebooks filled with words I had learned up to a certain point to help me with spelling. As a child I did not see the value and time my mother put into such things. I have no doubt it is why I read above my grade level all through school.

In primary school I remember a book (but not its name) about a three-legged Scottie terrier named Candy. There was something very sentimental that affected me on an emotional level when I read this book. I’ve since tried to find it without success, but the basic story itself has stayed with me and is one of the most memorable parts of my childhood. There is now a part of me that does not want to read it again; just like watching old cartoons you loved as a child and finding, as an adult, the magic isn’t there the way you remember it, I would not want to ruin the memory of Candy.

In junior high my father, a teacher in a college school in a neighbouring community, would borrow books from the campus library to bring home for me to read. Among the ones I remember best were Doctor Zhivago and an illustrated volume of Roman history. The former was perhaps too steeped in Russian history and social change for me to fully grasp its wonder, but the latter opened up a love of history, especially of the ancients that I still hold today. I remember how strange it was to discuss some of the book’s contents with my friends who had not heard of the Romans, let alone Julius Caesar’s strategy to defeat the Vercingetorix at Alesia. When one is interested in new things one often wishes to share them.

I did not begin writing until I reached university, indeed, until I was nearing the completion of my undergrad. While browsing a bookstore one day I found a, then new, selected poems of Al Pittman, an influential Newfoundland poet. It struck me all of a sudden that good writing could be produced by people living where I lived at around the same time as me. Writing, especially poetry, was not something I associated with Newfoundland (the only Newfoundland poet I knew at the time was E.J. Pratt, who had become more significant in a Canadian context). I bought the book and it began a long journey of poetry reading and, eventually, writing for me. It was at this time I discovered my father’s hidden love of poetry, especially Tennyson and other 19th century poets. Some of the fondest memories I now have of my father is of discussing poetry and writing late into the night.

In the last two years I’ve begun reading Stoic authors and learning about this school of philosophy. At a second-hand book sale a found an edition of the Meditations of Marcus Aurelius, completely by accident, which I read and found fascinating. Written as an exercise in determining his place in the world through an exploration of his own beliefs in Stoicism, the book had an immense effect on me. Ancient philosophy was concerned more with how to live your life as well as possible, not only how, but why (religion had more of an official state role). I’ve come back to this book a couple times already and reread passages that really make me think and question my own spiritual views and I consider this a positive interaction. From Aurelius I moved on to Epictetus, once a slave who would become one of the foremost Stoic philosophers. I highly recommend reading either his Discourses, or the Enchiridion, a handbook or manual for living life effectively.

The ways a book can affect your life are varied and unpredictable. We do not sit down to read and expect a huge impact on our views of life; it’s when you find a book has caused you to change an opinion you had, or entertained you incredibly that you see the value in books. I think great books are connected in some way with transition periods in one’s life, whether big or small, and provide that little extra in experience that makes life the varied journey it is.

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